1989: Letters to Max 2013
Distributed by Cinema Guild, 115 West 30th Street, Suite 800, New York, NY 10001; 212-685-6242
Directed by Eric Boudelaire with Maxim Gvinjia
DVD, color, 88 min.
Georgia, Russian Federation, History, Soviet Union
Date Entered: 04/19/2016Reviewed by Andrew Jenks, California State University, Long Beach
This intriguing documentary takes place in an obscure part of the former Soviet Union called Abkhazia – a tiny sub-tropical mountainous region on the coast of the Black Sea. This country of 242,000 residents, most of them ethnic Abkhazians who practice Eastern Orthodoxy and who speak Russian, is ostensibly a part of the post-Soviet nation of Georgia. But like many former Soviet territories, simmering ethnic tensions exploded as the Soviet Union disintegrated, turning into a brutal civil war in 1992 and 1993. The Georgian forces were defeated, leading to the expulsion of ethnic Georgians from Abkhazia and a ceasefire in 1994 enforced by a combination of United Nations and Russian peacekeepers. Abkhazia’s independence, however, has only been recognized by Russia, Nicaragua, Venezuela, and Nauru. The forces of Abkhazia periodically clash with the Georgian army as the nation-in-formation, with Russia’s help and in opposition to the United States, seeks international recognition.
Abkhazia's fate provides a window into two processes, one shorter term and one longer term. The longer-term process is the ongoing formation of modern nation-states, which invariably involve contests between competing forces claiming to represent the “real nation” and seeking backing and support for their claims. The second is the backdrop of the Soviet Union’s own attempts to build national communities within the confines of its vast borders. It was a project that simultaneously promoted and suppressed a bewildering array of national identities and various levels of cultural and political autonomy to hundreds of ethnic groups. The tensions and conflicts created by Soviet policies were contained only by Soviet authoritarianism and by the communist party of the Soviet Union. When both the party and the Soviet Union collapsed, unresolved national tensions, exacerbated by various land grabs by newly independent and former Soviet national republics, produced a number of frozen conflicts along the Russian Federation’s borders – in Moldova, Ukraine, Armenia, Azerbaijan, and Georgia, just to name a few.
The documentary tells the story of Abkhazia’s search for legitimacy through a diplomat named Maxim Gvinjia, whose mission since the Soviet Union’s collapse has been to establish Abkhazia’s place in the community of recognized nation-states. During the course of filming “Max” occupied various positions inside and outside Abkhazia’s foreign Ministry, eventually becoming foreign minister in 2013 for a brief period. The filmmaker (“Eric”) uses the narrative device of the letter to tell his story, filming Max as he opens letters from “Eric” in Paris in which Eric asks Max a question regarding his job and life. The film consists of Max’s responses to those questions, set against the backdrop of Abkhazia and Max’s daily routines. Max is an amiable and interesting narrator, with the detached and wry sense of humor of people whose experiences defy clichéd conceptions of liberation, democracy, national sovereignty, and progress. The film opens with Max wondering about Eric’s question of where exactly he is. His philosophical answer touches on one of the central dilemmas of the modern nation-state, namely, that most people’s identities and sense of self do not match the ideas about identity projected by the state that supposedly embodies their “will.” Max points out that there are many recognized countries, such as Somalia, Afghanistan or Yemen, which make little sense as nation-states. The way various peoples within those states self-identify rarely match state conceptions and often are violently at odds with official political visions. Max claims that Abkhazia, in contrast, is unique in the relative perception by its citizens and state leaders of a community of interests and identity.
Abkhazia is a beautiful country, situated in a mountainous region that hugs the Black Sea Coast. The spectacular coastline views combine with a human-built world which, like much of the former Soviet Union, is in a state of exquisite decay and dilapidation – a place frozen in a Soviet past, similar to the frozen political conflicts that provide the political and social equivalent of a landscape. For Max, the state of decay is a starting point for his own discourse on nostalgia for the Soviet period, when the Abkhazian sea city of Sukhum (known in Soviet times by the Georgian Sukhumi) was a meeting point of cultures and peoples, and also a resort town for Soviet citizens. With its harbor, Sukhum in the Soviet era was far more open to the world and various peoples than other parts of the Soviet Union. That openness contrasts with the city’s current isolation in the post-Soviet world – yet another one of the many ironies highlighted by Max in his letters and discourses on camera.
The director is careful to ask tough questions of Max, especially regarding the fate of Georgian refugees, who are unable to return to the Abkhazia that their families for centuries called home before the war of 1992-1993. Does creating a new Abkhazia mean erasing their memory? Is the coherence of Abkhazia as a nation-state, in which the identity of its citizens seems to match ideas about identity projected by the state, a result of ethnic cleansing? Max’s very surprisingly honest and apolitical answer—perhaps one reason for his being sacked as Abkhazia's foreign minister—is both yes but also that the fate of Georgians is part of the tragedy and irreversible change in Abkhazia as a result of the Civil War. There can be no return to the Soviet period, though Max admits he would love to do so, when ethnic harmony was supposedly far more the norm than the exception. With regard to a question of whether Abkhazia has escaped from Georgia only to be eaten up by Russia and become a playground for Russian Oligarchs, Max is unequivocal. Russians, says Max, are the ones willing to buy Abkhazian products, spend tourist dollars in Abkhazia, and support Abkhazian independence. Given the limited range of options for Akbhazians, and the reality of Russia’s presence, Abkhazia has no choice but to align itself closely with Putin and the Russian Federation. The Mexicans say, "It's the same hell only with a different devil." For the Abkhazians, aligning with Russia is not quite the same hell, and perhaps preferable to Georgia, but few Abkhazians would mistake Russian leaders and oligarchs for saviors.